{"id":694,"date":"2015-06-03T01:31:13","date_gmt":"2015-06-03T00:31:13","guid":{"rendered":"http:\/\/studiozenz.nl\/master\/?p=694"},"modified":"2015-06-20T03:37:53","modified_gmt":"2015-06-20T02:37:53","slug":"singing-debussys-setting-of-le-jet-deau-by-baudelaire-professor-helen-abbott","status":"publish","type":"post","link":"http:\/\/studiozenz.nl\/master\/singing-debussys-setting-of-le-jet-deau-by-baudelaire-professor-helen-abbott\/","title":{"rendered":"Singing Debussy&#8217;s setting of &#8216;Le Jet d&#8217;eau&#8217; by Baudelaire &#8211; Professor Helen Abbott"},"content":{"rendered":"<p class=\"yt watch-title-container\"><span style=\"font-size: 8pt;\">bron: https:\/\/www.youtube.com\/watch?v=fasd461i3gc,<br \/>\n<\/span><span style=\"font-size: 8pt;\">Gepubliceerd op 22 aug. 2012<\/span><br \/>\n<span style=\"font-size: 8pt;\">https:\/\/www.youtube.com\/watch?v=DjS7b6dE0ak<\/span><br \/>\n<span style=\"font-size: 8pt;\">Gepubliceerd op 17 aug. 2012<\/span><\/p>\n<div id=\"watch-description-text\" class=\"\">\n<p id=\"eow-description\">According to some scholars, Baudelaire&#8217;s &#8216;Le Jet d&#8217;eau&#8217; may originally have been written in conjunction with the chansonnier Pierre Dupont as a form of popular song. Whilst no record of any music by Dupont for this poem survives, this lecture sets out to examine what textual features of the poem seem to make it particularly &#8216;settable&#8217; to music. It explores what happens when Baudelaire&#8217;s poetry is sounded out as music through song performance, especially in the 1889 setting by Debussy, but also engaging with the two other nineteenth-century settings of this poem by Maurice Rollinat and Gustave Charpentier.<\/p>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"Singing Debussy&#039;s setting of &#039;Le Jet d&#039;eau&#039; by Baudelaire - Professor Helen Abbott\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/fasd461i3gc?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><!--more-->This is a part of the conference, &#8216;Debussy: Text and Ideas&#8217;, which is available in full on the Gresham College website.<br \/>\nThe transcript and downloadable versions of the lecture are available from the Gresham College website:<br \/>\n<a class=\"yt-uix-redirect-link\" dir=\"ltr\" title=\"http:\/\/www.gresham.ac.uk\/lectures-and-events\/debussy-text-and-ideas-part-three\" href=\"http:\/\/www.gresham.ac.uk\/lectures-and-events\/debussy-text-and-ideas-part-three\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.gresham.ac.uk\/lectures-and&#8230;<\/a><\/p>\n<p>Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.<br \/>\n<a class=\"yt-uix-redirect-link\" dir=\"ltr\" title=\"http:\/\/www.gresham.ac.uk\" href=\"http:\/\/www.gresham.ac.uk\/\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.gresham.ac.uk<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Claude Debussy Concert - Sophie Bevan (soprano) and Sebastian Wybrew (piano)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/DjS7b6dE0ak?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div id=\"watch-uploader-info\"><\/div>\n<div id=\"watch-description-text\" class=\"\">\n<p id=\"eow-description\">A recital of the songs of Claude Debussy, by Alumni of the Royal College of Music: Sophie Bevan (soprano) and Sebastian Wybrew (piano). Pieces performed, with the poets used for the text by Debussy, include the following:<\/p>\n<p>St\u00e9phane Mallarm\u00e9 (1842&#8211;1898)<br \/>\nApparition<br \/>\nTrois po\u00e8mes de St\u00e9phane Mallarm\u00e9<br \/>\nSoupir<br \/>\nPlacet futile<br \/>\n\u00c9ventail<\/p>\n<p>Paul Verlaine (1844&#8211;1896)<br \/>\nF\u00eates galantes I<br \/>\nEn sourdine<br \/>\nFantoches<br \/>\nClair de lune<br \/>\nMandoline<\/p>\n<p>Paul Bourget (1852&#8211;1935)<br \/>\nDeux romances<br \/>\nRomance<br \/>\nLes Cloches<\/p>\n<p>Charles Baudelaire (1821&#8211;1867) from Cinq Po\u00e8mes de Ch. Baudelaire<br \/>\nLe Jet d&#8217;eau<br \/>\nHarmonie du soir<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>bron: https:\/\/www.youtube.com\/watch?v=fasd461i3gc, Gepubliceerd op 22 aug. 2012 https:\/\/www.youtube.com\/watch?v=DjS7b6dE0ak Gepubliceerd op 17 aug. 2012 According to some scholars, Baudelaire&#8217;s &#8216;Le Jet d&#8217;eau&#8217; may originally have been written in conjunction with the chansonnier Pierre Dupont as a form of popular song. Whilst no record of any music by Dupont for this poem survives, this lecture sets out to examine what textual features of the poem seem to make it particularly &#8216;settable&#8217; to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":957,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,53,35],"tags":[64,24,25],"class_list":["post-694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actuele-posts","category-kunst-en-muziek","category-things-to-remember","tag-dichtkunst","tag-kunst","tag-muziek"],"_links":{"self":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/comments?post=694"}],"version-history":[{"count":6,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/694\/revisions"}],"predecessor-version":[{"id":700,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/694\/revisions\/700"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media\/957"}],"wp:attachment":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media?parent=694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/categories?post=694"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/tags?post=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}