{"id":687,"date":"2015-06-03T01:03:05","date_gmt":"2015-06-03T00:03:05","guid":{"rendered":"http:\/\/studiozenz.nl\/master\/?p=687"},"modified":"2015-06-03T01:03:54","modified_gmt":"2015-06-03T00:03:54","slug":"text-gesture-and-performance-in-debussys-trois-poemes-de-stephane-mallarme","status":"publish","type":"post","link":"http:\/\/studiozenz.nl\/master\/text-gesture-and-performance-in-debussys-trois-poemes-de-stephane-mallarme\/","title":{"rendered":"Text, Gesture and Performance in Debussy&#8217;s &#8216;Trois Po\u00e8mes de St\u00e9phane Mallarm\u00e9&#8217;"},"content":{"rendered":"<div id=\"watch-uploader-info\"><span style=\"font-size: 8pt;\"><strong class=\"watch-time-text\">Bron:\u00a0https:\/\/www.youtube.com\/watch?v=BG8vTvTopGU<\/strong><\/span><\/div>\n<div><span style=\"font-size: 8pt;\"><strong class=\"watch-time-text\">Gepubliceerd op 22 aug. 2012<\/strong><\/span><\/div>\n<div><\/div>\n<div id=\"watch-description-text\" class=\"\">\n<p id=\"eow-description\">Debussy&#8217;s &#8220;Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9&#8221; (1913) are among the relatively infrequent instances of musical settings of Mallarm\u00e9&#8217;s poetry. Following Jank\u00e9l\u00e9vitch on Debussy and a host of critics on Mallarm\u00e9, Professor Joseph Acquisto argues that these poems and songs comment on communicating the ineffable.<\/p>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"Text, Gesture and Performance in Debussy&#039;s &#039;Trois Po\u00e8mes de St\u00e9phane Mallarm\u00e9&#039;\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/BG8vTvTopGU?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bron:\u00a0https:\/\/www.youtube.com\/watch?v=BG8vTvTopGU Gepubliceerd op 22 aug. 2012 Debussy&#8217;s &#8220;Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9&#8221; (1913) are among the relatively infrequent instances of musical settings of Mallarm\u00e9&#8217;s poetry. Following Jank\u00e9l\u00e9vitch on Debussy and a host of critics on Mallarm\u00e9, Professor Joseph Acquisto argues that these poems and songs comment on communicating the ineffable.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,53,35],"tags":[64,63,25],"class_list":["post-687","post","type-post","status-publish","format-standard","hentry","category-actuele-posts","category-kunst-en-muziek","category-things-to-remember","tag-dichtkunst","tag-mallarme","tag-muziek"],"_links":{"self":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/comments?post=687"}],"version-history":[{"count":2,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/687\/revisions"}],"predecessor-version":[{"id":689,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/687\/revisions\/689"}],"wp:attachment":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media?parent=687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/categories?post=687"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/tags?post=687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}