{"id":1265,"date":"2015-08-06T00:33:43","date_gmt":"2015-08-05T23:33:43","guid":{"rendered":"http:\/\/studiozenz.nl\/master\/?p=1265"},"modified":"2016-09-09T23:02:55","modified_gmt":"2016-09-09T22:02:55","slug":"vormgegeven-koor","status":"publish","type":"post","link":"http:\/\/studiozenz.nl\/master\/vormgegeven-koor\/","title":{"rendered":"Vormgegeven koor, Arles France &#8211; 6 aug 2015"},"content":{"rendered":"<p><strong>Janet Cardiff &#8211; The Forty Part Motet, Arles Frankrijk<\/strong><\/p>\n<p>The Forty Part Motet (A reworking of &#8216;Spem in Alium&#8217; by Thomas Tallis 1573).\u00a0Forty separately recorded voices are played back through forty speakers strategically placed throughout the space.<\/p>\n<p><span style=\"color: #339966;\">Het optreden van dit koor was erg ontroerend. Wat het heel \u00a0bijzonder maakte was dat iedere stem door een box werd vertegenwoordigd en dat je daardoor iedere stem afzonderlijk van heel dichtbij kon beluisteren, je hoorde alle finesses wat het erg intiem maakte. Daardoor miste ik de visuele aanwezigheid van de zangers niet. Doordat je als bezoeker omringd werd door het koor werd je ook letterlijk omringd door het geluid. Je zat er middenin, wat de beleving heel intens maakte. En je kon door te van plaats te veranderen ook een stemgroep, bijv. de tenoren of de alten apart beter beluisteren, of beter horen waar deze op hun beurt weer gespitst werden. Een heel bijzondere ervaring.<\/span><br \/>\n<span style=\"color: #339966;\"> Wat mij betreft de kracht van ontwerp in combinatie met geluid!<\/span><\/p>\n<p>The work is based on the music, Spem in alium by Thomas Tallis, a Renaissance composer who wrote the music for a 40 part choir to celebrate the 40th birthday of Queen Elizabeth I. Sung by the Salisbury Cathedral Choir each voice was recorded individually, and then played back on 40 separate speakers installed throughout a space so that the audience can walk &#8217;through the choir&#8217; as they sing the work.<br \/>\nOn completion the work was initially toured by Field Art Projects throughout the UK and hosted by it&#8217;s producing partners. It has subsequently gone on to tour internationally and editions are now owned by the Tate Gallery, Museum of Modern Art New York and the National Gallery of Canada. The work was awarded the Millennium Prize by the National Gallery of Canada.<sup>1<\/sup><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1266\" src=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50-550x733.jpg\" alt=\"2015-08-06 16.02.50\" width=\"550\" height=\"733\" srcset=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50-550x733.jpg 550w, http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50-480x640.jpg 480w, http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50-960x1280.jpg 960w, http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.02.50-600x800.jpg 600w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.03.40.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1273\" src=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.03.40-550x413.jpg\" alt=\"2015-08-06 16.03.40\" width=\"550\" height=\"413\" srcset=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.03.40-550x413.jpg 550w, http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.03.40-960x720.jpg 960w, http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/08\/2015-08-06-16.03.40-600x450.jpg 600w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"40 Part Motet (Thomas Tallis, 1575) - Audio Walk by Janet Cardiff &amp; George Bures Miller\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Hj83cYfGtZw?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>Reacties op YouTube<sup>1<\/sup><\/strong><br \/>\n<em>&#8216;living this was one of my best encounters with art<\/em>.&#8217;<br \/>\n<em>&#8216;Many videos record the experience from one view point.\u00a0 Your Audio Walk shares the reality of the experience, and I&#8217;m hear for the music and audio experience.\u00a0 The speakers look like &#8211; speakers.\u00a0 Thank you so much.&#8217;<br \/>\n&#8216;I really enjoy this. As a whole it sounds angelic, almost impossible. Yet when you hear the individual voices they are fragile and very human.&#8217;<br \/>\n&#8216;Deze opstelling zet mij aan tot bedenkingen over de verhoudingen tussen individu en samenleving.\u00a0 Verder ruimtelijke en hemelse muziek&#8217;<\/em><\/p><\/blockquote>\n<blockquote><p><strong>Comments by the artist<sup>2<\/sup><\/strong><br \/>\n&#8216;<em>While listening to a concert you are normally seated in front of the choir, in traditional audience position. With this piece I want the audience to be able to experience a piece of music from the viewpoint of the singers. Every performer hears a unique mix of the piece of music. Enabling the audience to move throughout the space allows them to be intimately connected with the voices. It also reveals the piece of music as a changing construct. As well I am interested in how sound may physically construct a space in a sculptural way and how a viewer may choose a path through this physical yet virtual space.<\/em><\/p>\n<p><em>I placed the speakers around the room in an oval so that the listener would be able to really feel the sculptural construction of the piece by Tallis. You can hear the sound move from one choir to another, jumping back and forth, echoing each other and then experience the overwhelming feeling as the sound waves hit you when all of the singers are singing.&#8217;<\/em><\/p><\/blockquote>\n<p><strong>Credits<\/strong><br \/>\nSung by: Salisbury Cathedral Choir<br \/>\nRecording and Postproduction by: SoundMoves<br \/>\nEdited by George Bures Miller<br \/>\nProduced by Field Art Project<\/p>\n<p><strong><span style=\"font-size: 8pt;\">bronnen<\/span><\/strong><br \/>\n<span style=\"font-size: 8pt;\">1. https:\/\/www.youtube.com\/watch?v=W0_FQ6FER74<\/span><br \/>\n<span style=\"font-size: 8pt;\">2\u00a0<a href=\"http:\/\/www.cardiffmiller.com\/artworks\/inst\/motet.html\" target=\"_blank\">http:\/\/www.cardiffmiller.com\/artworks\/inst\/motet.html<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Janet Cardiff &#8211; The Forty Part Motet, Arles Frankrijk The Forty Part Motet (A reworking of &#8216;Spem in Alium&#8217; by Thomas Tallis 1573).\u00a0Forty separately recorded voices are played back through forty speakers strategically placed throughout the space. Het optreden van dit koor was erg ontroerend. Wat het heel \u00a0bijzonder maakte was dat iedere stem door een box werd vertegenwoordigd en dat je daardoor iedere stem afzonderlijk van heel dichtbij kon&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,53,74],"tags":[25,69],"class_list":["post-1265","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actuele-posts","category-kunst-en-muziek","category-ontwerp-en-muziek","tag-muziek","tag-zangkoor"],"_links":{"self":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/comments?post=1265"}],"version-history":[{"count":17,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1265\/revisions"}],"predecessor-version":[{"id":1296,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1265\/revisions\/1296"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media\/1267"}],"wp:attachment":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media?parent=1265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/categories?post=1265"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/tags?post=1265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}