{"id":1091,"date":"2015-06-25T13:37:20","date_gmt":"2015-06-25T12:37:20","guid":{"rendered":"http:\/\/studiozenz.nl\/master\/?p=1091"},"modified":"2015-06-25T17:16:16","modified_gmt":"2015-06-25T16:16:16","slug":"arnold-schonberg-die-gluckliche-hand","status":"publish","type":"post","link":"http:\/\/studiozenz.nl\/master\/arnold-schonberg-die-gluckliche-hand\/","title":{"rendered":"Arnold Sch\u00f6nberg &#8211; Die Gl\u00fcckliche Hand"},"content":{"rendered":"<p><a href=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/06\/Schoenberg_120103a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1100\" src=\"http:\/\/studiozenz.nl\/master\/wp-content\/uploads\/2015\/06\/Schoenberg_120103a.jpg\" alt=\"Schoenberg_120103a\" width=\"409\" height=\"287\" \/><\/a><\/p>\n<p>Drama met muziek.<br \/>\nMet <em>Die Gl\u00fcckliche Hand<\/em> wilde Sch\u00f6nberg \u2018geluid voor ogen\u2019 cre\u00ebren door intense kleuren te gebruiken om de ontwikkeling van het stuk te benadrukken.<sup>1 <\/sup>Sch\u00f6nberg was in <em>The Light and Storm Crescendo<\/em> erop uit om een paralel van synthetische bewegingen van muzikale geluidskleuren en gekleurde podiumbelichting te cre\u00ebren. Dit lijkt naadloos aan te sluiten bij Kandinsky&#8217;s benadering van <em>Der Gelben Klang.<br \/>\n<\/em>Sch\u00f6nberg schreef zelf het\u00a0libretto\u00a0voor\u00a0Die gl\u00fcckliche Hand.<\/p>\n<p>De uitvoering hieronder is van Pierre Audi. Frans Evers zegt hierover in <em>De Academy of the Senses<\/em>\u00a0dat in deze interpretatie het gebruik van licht en kleur, speciaal in het essenti\u00eble gedeelte Light and Storm Crescendo, nauwelijks de aandacht kreeg die het verdiende, ondanks Sch\u00f6nberg&#8217;s opmerking dat:<\/p>\n<blockquote><p><span style=\"font-size: 10pt;\">In Die Gl\u00fccklige Hand the main thing is &#8230;The colored light play. Very intense light sources are needed and good colors. The set must be painted in such a way that it takes on the colors! <span style=\"font-size: 8pt;\">(Stein 1958)<\/span><\/span><\/p><\/blockquote>\n<p>Meer essenti\u00eble informatie\u00a0over\u00a0de samenwerking van Sch\u00f6nberg en Kandinsky\u00a0is\u00a0op mijn blog te vinden:\u00a0<a href=\"http:\/\/studiozenz.nl\/master\/arnold-schonberg-en-wassily-kandinsky\/\">http:\/\/studiozenz.nl\/master\/arnold-schonberg-en-wassily-kandinsky\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/7lV_IJS4Pyw?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 8pt;\">Bron:<\/span><br \/>\n<span style=\"font-size: 8pt;\">1. Frans Evers, The Academy of the Senses, ArtSience Interfaculty Press<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drama met muziek. Met Die Gl\u00fcckliche Hand wilde Sch\u00f6nberg \u2018geluid voor ogen\u2019 cre\u00ebren door intense kleuren te gebruiken om de ontwikkeling van het stuk te benadrukken.1 Sch\u00f6nberg was in The Light and Storm Crescendo erop uit om een paralel van synthetische bewegingen van muzikale geluidskleuren en gekleurde podiumbelichting te cre\u00ebren. Dit lijkt naadloos aan te sluiten bij Kandinsky&#8217;s benadering van Der Gelben Klang. Sch\u00f6nberg schreef zelf het\u00a0libretto\u00a0voor\u00a0Die gl\u00fcckliche Hand. De&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,53,59],"tags":[],"class_list":["post-1091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actuele-posts","category-kunst-en-muziek","category-kunst-en-sound"],"_links":{"self":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/comments?post=1091"}],"version-history":[{"count":12,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1091\/revisions"}],"predecessor-version":[{"id":1110,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/posts\/1091\/revisions\/1110"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media\/1100"}],"wp:attachment":[{"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/media?parent=1091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/categories?post=1091"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/studiozenz.nl\/master\/wp-json\/wp\/v2\/tags?post=1091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}